Precious

Precious manages something precious few films can do: eliciting the full range of emotions. Anger at Precious’ mother, (played by comedienne Mo’nique at her cruellest, most repulsive best); sympathy that Precious has fallen pregnant for the second time to her mother’s rapist boyfriend; hope that she can make a better future for herself by learning to read and write thanks to her sensitive remedial teacher (Paula Patton); and joy at the small things that make her life palatable.

For Precious that’s the friendship and humour she finds in her new classroom, and a dose of daily fantasy. When things get tough, and they do repeatedly in this harrowing film, Precious’ mind escapes to her dreams. It’s a surreal cinematic technique that shows that while all else crumbles, Precious’ spirit will always win.

Gabourey Sidibe gives a fearless performance in the lead role in which we see her physically and emotionally at her worst. Few actresses would allow stylised close-ups while gorging on junk food.

Then there’s Mariah Carey as her social worker. Barely recognisable in drab office attire, Mimi brings a quiet strength to a role. Lenny Kravitz also shows up as the hot male nurse who tends to Precious when she goes into labour but this time the cameo feels a little contrived – his part doesn’t add much to the story.

Director Lee Daniels knows there is beauty to be found in the bleakest of places. As much as this is a powerful social drama, it’s an irreverent and uplifting story of resilience and dignity. By the time the credits roll, you’ll feel exhausted and elated.